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Graffiti on Graffers #7 – Daek x Bridge

Thursday, February 10th, 2011

Our second featured Perth-based artist, Daek , is not only a local babe-magnet and tea enthusiast but also the founder of the infamous Last Chance Studios .

Last Chance pretty much dominates Perth representing most of P-towns raddest peeps including the likes of CreepySean MorrisRyan BoserioKid ZoomTim Rollin (Graffiti on Graffers #6), Elliot C. Strang (Our amazing photographer this issue) and of course our man of the moment, Daek himself.

Graffiti on Graffers #7 - Daek x Bridge

Photographed by Elliot C. Strang

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Graffiti on Graffers #6 – Rollin x Bridge

Saturday, July 31st, 2010

Upon arriving at Last Chance Studios in Perth, WA, I met Timothy Rollin, a prolific local artist and rad dude with an affinity for bird life and some serious D-floor skills.

One glorious sunny day during what Perth calls Winter, we headed down to Hyde Park to read comics and feed the ducks.

Graffiti on Graffers #6 – Rollin x Bridge

Photographed by Daek

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Daek and Bridge, Perth, WA.

Tuesday, July 27th, 2010

Daek and Bridge, Perth, WA.

Graffiti on Graffers #5 – Onshow x Bridge

Tuesday, July 27th, 2010

Graffiti on Graffers #5 – Onshow x Bridge

Photographed by Robin Hearfield

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New painting – Ricky the Rustler by Bridge Stehli

Tuesday, July 6th, 2010

New painting for ‘The Forty Thieves 3′ presented by Gorker Gallery.

 

‘Ricky ‘The Rustler’ Ryder
#1553481
23-02-86
Department of Corrections, Blackduck, Minnesota’

30cm x 42cm
Acrylic on paper.

Gorker Gallery presents The Forty Thieves 3: The Third Offence.

Saturday, June 26th, 2010

Graffiti on Graffers #4 – Water x Bridge

Sunday, June 13th, 2010

Graffiti on Graffers #4 – Water x Bridge

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bridge

Bridge Stehli lives and works from her self-established art studio and collective ‘The Z80’ in Sydney, Australia. Drawing inspiration from her origins in Graffiti art, Bridge’s works, applied with acrylic paint in layers to timber, embrace the themes of personification of animals in classical and contemporary culture. Often Bridge’s objective is to capture a particular atmosphere or awkward social situation. Taking inspiration from popular iconography present in animated films, cartoons, comic books, classic literature and childhood picture books, she also explores the parallels between the social hierarchies of humans and animals and the similarities between the two that are often ignored.

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